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Data Security Notice Updated 27th February 2020

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Website Terms and Conditions

The contents of this web site are protected by copyright and other intellectual property rights under international conventions. No copying of any words, images, graphic representations or other information contained in this web site is permitted without the prior written permission of the webmaster for this site.

Oasys accepts no responsibility for the content of any external site that links to or from this site.

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Software Licensing Terms

Terms and Conditions of Purchase

The full conditions of purchase and maintenance for all Oasys desktop software are set out in the Oasys Software Licence and Support Agreement.

The full conditions of purchase and maintenance for Oasys Gofer and Oasys Giraphe are set out in the Gofer SaaS Agreement  and the Giraphe SaaS agreement.

All prices are subject to TAX at the current rate.

Prices and specifications are subject to change without notice – please ask for a written quotation.

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Superseded Versions of Terms and Conditions

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Maintenance & Support Services

Support and maintenance is included with all subscription licences for their full duration.

Annual maintenance contracts are available for software under a perpetual licence, prices are based on a percentage of the most recent list price.

This service includes:

 

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The Travellers

Software Used on this Project

Project Overview

The Travellers is a stunning outdoor work of art in Melbourne that sits atop of the former Sandridge Bridge crossing the Yarra River, paying homage to the waves of immigrants that have come to Australia

Arup was engaged to work closely with the renowned international artist Nadim Karam of Atelier Hapsitus, Melbourne City Council, and the fabricators Silverstone Engineering and Danfab to harmonize the artistic vision with the practical realities of the creative structure. Often the line between art and engineering is a blurred one and in the case of the Travellers installation, the line vanished, leaving only the synthesis of the vision and its realisation.

Travelling through time to create a unique design

Due to the complexity of the sculptures, traditional design techniques would have take years and extensive resources, which meant that the design team needed to approach the problem in a very different way. The first part of the concept stage was thus to develop the artist’s complex designs into 3D computer analysis models.

The artist’s vision also included nine of the 10 figures moving from the south end of the bridge to their individual locations along the bridge, turning and spinning as they travelled, returning to the south end, coming together to symbolise multiculturalism.

Designing a movement system for the figures, which are each more than seven metres tall and weighing more than seven tonnes, was a challenge for the team. Arup’s design for the bogie system and rail support system needed to fit into the very tight spatial constraints of the existing Sandridge Bridge.

How Oasys proved invaluable

Creating, testing, refining

Natural frequency model in GSA

The design team realised that in order to make the sculptures constructible and practical, they would need to limit the number of curves and connections within each sculpture while keeping with the artist’s vision. To simplify the fabrication process, they decided that each figure would have no more that 47 different types of curve radii, ranging from 12cm up to 2 metres, and only four different structural sections.

Using Oasys GSA software, the Arup team tested each sculpture against a set of performance and strength based structural criteria, including directional wind and self-weight. This determined which areas in the structure were highly stressed under load, and if the overall sculpture was subject to excess sway in bad weather.

The GSA analysis quickly revealed that some areas needed additional strengthening to prevent overstress. The team then optimized the structural design to find the most efficient design, while keeping in with the limited selection of sections.

For fabrication, realising that the designs could be conveyed more effectively, the Arup team dispensed with traditional construction drawings and issued all the geometry electronically.

GSA stress plot

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